One North May 2026

The Alumni Magazine of UWC South East Asia

Vol 23 May 2026

Beyond the final

curtain, the real

performance begins.

Explore how our alumni

navigate change, find

meaning in every

transition and purpose in

every new act.

THE

SCRIPT

REWRITING

Inside

ONE° NORTH

01

HELLO FROM THE ALUMNI TEAM

Finding the space in between scenes

03

MESSAGE FROM HEAD OF COLLEGE

Nick Alchin on theatre, empathy, and the quiet art of world-making

LIFE’S CHANGING ROOMS

Peruvian scholar and university professor

in the fields of theatre and performance

studies, Enzo Vasquez Toral ’10 reflects

on embracing life’s “changing rooms”

05

Cover story

ALL THE WORLD’S A STAGE

Elisha Beston ’14 comes full circle from stage to the front of

the classroom

“The challenge ahead

is how, as alumni, we

cultivate a notion of

diversity that encompasses

peace and sustainability

while addressing the

centuries-long systems of

exclusion.”

Enzo Vasquez Toral ’10

May 2026

One°North is published by UWC South East Asia

annually for alumni, staff and friends of UWCSEA.

Reproduction in any manner is prohibited

without written consent.

We welcome your feedback;

please send comments, suggestions for

future issues and/or address updates to

alumnimagazine@uwcsea.edu.sg

Editor: Rae Omar

Contributors: Sarah Begum, Joanne Cheong,

Cristina Obordo and Ashima Thomas

Featured Profiles: With thanks to the alumni

featured in this issue for their time and

contribution

Photography: Elena Bell, Joseph Tan,

Jules Wainwright and members of the

alumni community

Design: Ashley Chew and Nandita Gupta

Printed on FSC paper | MDDI (P) 012/11/2025 | ALUMNI-2526

REMEMBER

WHEN?

From a humble

fountain to the

Tent Plaza we

know today

21

11

THROWBACK TO REUNIONS

Elevating alumni gatherings through professional

connection

13

PUBLIC SERVICE, THE UWCSEA WAY

Varun Srivatsan ’14 at the intersection of politics

and policies

15

BEYOND THE SCHOLARSHIP

Creating a ripple effect of impact that influences

communities across the world

17

FIXING THE SYSTEM BEHIND OUR

FOOD

Nicole Yaw ’14 on systems thinking and fixing the

global food chain

19

DESIGN FOR THE FUTURE, ROOTED IN

THE PAST

Alumni architect Andrew O’Donnell ’94 designs

the future of Dover Campus

26

LIFE UNDER THE

ETERNAL SUN

Sarah Gaier ’17 explores

"White Mars" and the science

of human isolation

29

ICONIC COLLEGE

EVENTS

A walk through an epic school

year at UWCSEA

31

FINDING YOUR PLACE IN

NATURE

Shukura Babirye ’17 creates a

sense of belonging in the wild

through the Moja Collective

33

WHAT WOULD YOU

DO IF YOU KNEW YOU

COULDN’T FAIL?

Alumni graduation speaker

Zal Dastur ’01 challenges the

Class of 2025 to embrace the

unknown

34

ALUMNI GIVES BACK

Alumni mentors bridge the

gap between school and the

real world to inspire the next

generation

37

UWCSEA CAREERS

PROGRAMME GOES

FULL CIRCLE

How students are bringing

boardroom skills back to the

classroom and campus

COVER

University professor in theatre

and performance studies Enzo

Vasquez Toral ’10 goes back

stage and into the costume

room at Dover Campus’

Drama Department

THE WAY OF LIFE

HAS NO PERFECT

ANSWER

Gus O’Brien ’20 looks

back on uncertainty,

adventure, and the

way of life in Samoa

23

HELLO

F I N D I N G T H E S PA C E I N B E T W E E N S C E N E S

from your

from your

ALUMNI TEAM

Dear Alumni,

In this issue of OneºNorth, the alumni we feature remind us that life is rarely a straight line. It is a journey of discovery

often filled with uncertainty. We’ve followed our alumni to the ends of the earth—from the quiet beauty of Samoa to

the icy frontiers of Antarctica. Whether they are shaping the arts, serving in public office, reimagining sustainable food

systems, or designing the very campus that once shaped them, they are all navigating the “space in between” with the

familiar UWCSEA compass.

Heart and Soul of the Alumni Team

We are also celebrating the 14 years that

our wonderful Siti Aminah has spent on the

Alumni Team.

If you’ve ever returned to campus for a tour

or a reunion, you’ve likely felt Siti’s magic.

She has a way of making you feel like you

never left. But more than her tours, we will

miss her spirit. Siti is the kind of person you

hear before you see—her laughter can be

heard from a mile away, and it’s a sound that

immediately makes you feel at home.

They say you’ll never forget how someone

made you feel. For many of our alumni, the

memory of returning home to UWCSEA

is wrapped up in Siti’s smile and that

unmistakable laugh.

As we look back on her 14 years with us,

it feels especially meaningful to share our

appreciation with her. If you’d like to send

her a message, please write to

alumni@uwcsea.edu.sg

Message Board for Siti Aminah

Message Board for Siti Aminah

“I’ve been thinking about you and all the

memories from our time on the Student Alumni

Council. You’ve always had this incredible way

of lighting up a room—so positive, so funny, and

effortlessly making people smile!

I just want you to know how much I miss you

and how often you’re on my mind. You are

genuinely one of the strongest people I know and

I have so much admiration for you.”

Forever Siti's angel,

Mai-Khanh Pham ’17

MAI-KHANH

PICTURED FOURTH

FROM RIGHT IN

THE SEATED ROW

WITH THE STUDENT

ALUMNI COUNCIL

IN 2016

May 2026 OneºNorth 2

The Next Act

As you turn these pages, we hope they

carry you back to where you’ve been, and

forward to all that’s still unfolding. Just

as our campus is being reimagined for

the future, may these stories inspire you

to step into the next scenes of your own

journey. We’ll meet you in this space again

for the next act.

Until next time,

Your Story, Part of Our Story

– Stay in touch with us on

UWCSEA Connect!

We’d love to hear from you—whether

it’s a story, memory or special

moment from your time at UWCSEA.

Drop us a message at alumni@

uwcsea.edu.sg and you might be

featured in our next Alumni eBrief, or

even in One°North!

“More than ten years now since

working together on alumni reunions,

power reports and career days, but

your amazing personality and humour

left an imprint that makes it feel like

yesterday. You are a truly awesome

person, Siti A, and will always have a

special place in my heart. Thank you

for all the energy, light and friendship.”

Sona Lippmann, former Alumni

Relations Manager

SONA WITH THE STUDENT ALUMNI

COUNCIL IN 2013

“Thank you for always taking care

of me and every UWCSEA Alumni! I

always look forward to catching up on

school visits and reunions, because you

are as UWC as I am!”

Sending you much love and strength,

Paul Foster ’99

PAUL PICTURED MIDDLE AT REUNION 2019

Tina, Rae, and Siti

Tina, Rae, and Siti

There is a moment in any good piece

of theatre when the audience forgets

it is an audience. The lights, the seats,

the programme in your lap—all of it

falls away, and for a few seconds you

are somewhere else entirely, seeing

through someone else's eyes. It is

a small act of imagination. But the

capacity to inhabit another person's

experience, even briefly, even

imperfectly, turns out to matter quite

a lot.

This year's cover feature explores what

that capacity can become. Enzo Vasquez

Toral graduated from Dover Campus in

2010 and is now a professor of theatre

and performance studies at the University

of Texas at Austin. He writes about

performance as what he calls "world-

making"—the idea that theatre does not

merely reflect the world but actively

imagines alternatives to it. His piece

traces a path from his arrival in Singapore

as a National Committee scholar from

Peru, through a career he did not plan,

to research examining how performance

can create spaces of belonging for

communities too often excluded.

The other alumni in this issue have

taken very different paths—into politics,

research, theatre, conservation, food,

community—but world-making seems

the right word for what they are doing

too. Each arrived somewhere that couldn't

have been predicted at graduation, which

is, I think, entirely as it should be.

W H A T T H E

C O U L D B E

WORLD

Message from the Head of College,

NICK ALCHIN

May 2026 OneºNorth 4

No school can claim full credit for the

adults its students become, and I am wary

of the argument when I hear it made too

confidently. But a school can take seriously

the question of what conditions make such

lives possible—what it means to send young

people out with the habit of asking what

the world could be, and the conviction that

the answer is worth pursuing.

What we cannot do is prepare them for

the specific life that awaits. The self a

student builds here—confident, adaptable,

purposeful—will be tested and reshaped

by experiences that no curriculum can

anticipate. Some of our alumni will find

that the very qualities which made them

successful in their twenties become the

things they need to question in their

thirties. This is a sign that education is

something that keeps giving across a

lifetime; that it allows students to grow,

not remain static. What school can give—

and what we try hardest to give—is the

habit of self-examination: the reflex of

asking who you are and what you are

actually for. That is the root of world-

making. And it grows not in classrooms

but in relationships and conversations,

in the encounters and experiences that

stay with you long after the timetable

is forgotten. Reading these stories, I am

struck less by what we gave these alumni

than by what they have done with it. The

world-making, in the end, has been theirs.

“What school can give—and

what we try hardest to give—is

the habit of self-examination:

the reflex of asking who you are

and what you are actually for.”

CHANGING

ROOMS

L I F E ' S

Enzo Vasquez Toral ’10 reflects on theatre, identity and

the spaces that shape who we become.

May 2026 OneºNorth 6

For Enzo, theatre has long been more than

performance—it is a way of exploring

identity, transformation and the roles we

take on in life. The roots of his work trace

back to UWCSEA, where he arrived in

2008 as the College’s first scholar from

Peru. Experiences such as launching a

Global Concerns initiative, participating

in Initiative for Peace, and mentorship

from teachers like Mallika Ramdas

and Mirna Moctezuma-Trigg helped

define his commitment to amplifying

underrepresented voices.

After graduating, Enzo received a full

scholarship to Harvard before continuing

his studies at Princeton and Northwestern.

Today, he is an award-winning scholar

and professor at the University of Texas

at Austin, researching how performance

illuminates social and cultural change

across Latin America. In the reflection that

follows, he considers the “changing rooms”

that shape who we become.

In theatre, the dressing room is a space of change. By consciously

stepping into a character, the actor uses clothing as a first step

toward creating an illusion on stage. If “all the world’s a stage,” as the

Shakespearean saying goes, then what and where are the dressing

rooms, or rather, life’s changing rooms, that we inhabit daily as

performers in the world?

In 2008, I arrived in Singapore as the first National Committee scholar

from Peru to attend UWCSEA. There, I encountered my first changing

room: a new language, a myriad of opportunities, and global cultural

diversity. As the son of a single mother, I felt overwhelmed and often

undeserving, having grown up in restricted circumstances. I wore the

idea of potential as my daily dress, so I embraced a future-oriented

self while remaining attuned to a childhood lesson to never take things

for granted.

I left UWCSEA determined to study medicine. That decision was short-

lived. I was, literally and figuratively, thrown back into a dressing/

changing room when I embraced a career in theatre and research.

Several years later, I am now a professor in this field, but the path was

far from linear. I learned to embrace change as an opportunity, rather

than a demand for transformation.

Performance as World-Making

The power of theatre extends far beyond entertainment. Like other

art forms, theatre invites reflection and imagines different realities.

Change lies at its core: as a story transforms before an audience’s

eyes, so too might the audience’s perception about the world. As a

researcher, I have led projects examining theatre and society in Latin

America, from political theatre in Brazil to traditional theatre and

dance forms in the Andean region of South America most recently.

Throughout my work with performance and theatre artists on the

ground, I have infused my collaborations with a holistic mindset

that I began to nurture in the halls of UWCSEA. Particularly, I have

considered performance both as a lens through which to view society

and an artistic expression where alternative worlds could be imagined.

Over almost a decade, I have reconnected with my old passion with

folkloric dance, something I left behind when I moved to Singapore. As

I have danced in traditional fiestas and carnivals in Peru and Bolivia, I

have developed new vocabulary to understand how and where change

occurs. In working with LGBTQ communities exploring dance as a

mode of expression, performance emerged as a world-making practice.

My current scholarship narrates our stories of dancing together

and carving spaces for ourselves within heteronormative national

landscapes.

Diversity Beyond Culture

I vividly remember spaces such as UN Night, where sharing national

customs created joyful moments at UWCSEA. We celebrated global

perspectives, diverse cultures, and individual traditions, which are

central to the college’s mission and social fabric. As I appreciated

7 OneºNorth May 2026

cultures different from my own, I also developed critical thinking skills

that have since guided my research on performance. Within national

contexts, my work as a scholar examines how cultural expressions

deemed representative of local or national identity can also

paradoxically serve as spaces of exclusion. Who gets a seat at the table

of national and cultural imaginaries? Which identities are celebrated,

essentialised, exoticised, or pushed aside?

As an educator working at the intersection of the humanities and

the social sciences, I am constantly challenged to expand and

account for intersectional forms of diversity. I encourage students to

consider their lived experiences as sources of knowledge shaped by

intersecting privilege and oppression. Diversity is thus not a passive

concept; it is a product of processes that have made us who we are

and the hierarchies that we embody daily. In a way, I invite myself and

others not to romanticise difference. Instead, difference becomes a

tool for addressing unequal pasts and presents and for confronting

patriarchalism, homophobia, racism, and xenophobia.

In the education world, Diversity, Equity, Inclusion, and Justice (DEIJ)

initiatives have played a key role in helping us reckon with our uneven

social landscapes. Yet these initiatives have also faced resistance,

particularly amid recent funding cuts in higher education. The

metaphor of the changing room feels especially apt: diversity may no

longer be something we proudly wear but rather a target. The secrecy

of the changing room, spaces where we also get to hide parts of

ourselves, may become necessary.

On my recent visit to UWCSEA, I was thrilled to learn about

current DEIJ initiatives absent during my time. The College

is indeed in a privileged position to demystify diversity by

expanding the concept beyond cultural difference. The challenge

ahead is how, as alumni, we cultivate a notion of diversity that

both encompasses and extends commitments to peace and

sustainability while actively addressing the centuries-long systems

of exclusion that only seem to intensify across the world every day.

GENERATIONS

A C O N V E R S AT I O N A C R O S S

Fifteen years after his

own time at the College,

Enzo sat down with

two current Peruvian

scholars—Jessi (Grade 12)

and Samikai (Grade 11)—

for a candid discussion

on identity, the realities

of boarding life, and the

shared highs and hurdles

that connect past and

present scholars.

May 2026 OneºNorth 8

Samikai: Coming from Peru, the

education system here feels so

different. How did you handle

that shift?

In Peru, we often cover many subjects but

perhaps not as deeply. The IB forces you

to go very deep into just a few. My biggest

piece of advice is to ask for help. I went

to my teachers, my counsellors, and my

house parents. I had to learn how to study

specifically for the IB, which is so different

from studying in Peru. Don’t try to figure it

out alone; it will just take you longer.

Lastly, understand the "go-getter" and

competitive culture. Once I realised that, I

stopped feeling like I was being left behind

and started finding my own rhythm.

Jessi: Enzo, how did you navigate

your identity as a scholar while

also trying to find your place in

such a new environment?

It was a massive learning curve. I found

myself navigating two distinct worlds: the

boarding house, which was close-knit and

filled with fellow scholars, and the day-

school world from 8am to 3pm.

As a scholar, you become a "cultural

ambassador," and sometimes you

accidentally lean into stereotypes or

tropes that people expect of Peru because

you want to be liked or understood. I

wish I’d known how to be a more genuine

ambassador from day one.

For the first year, I struggled. Not because

I wasn't welcome, but because the social

spheres were so dissimilar. My day-student

friends lived in houses in Singapore; they

were "expats," a term I didn’t even know

yet. I had to learn what it meant to be an

immigrant versus an expat. Eventually, I

blended my academic and social identities,

but my deepest connections remained

with those who, like me, inhabited a

space far from home. It taught me to be

"culturally attuned" to understand the

different ways people exist when they are

away from their roots.

Jessi: What do you wish you had

known in Grade 11, and what do

you wish you’d known before

graduating in Grade 12?

I’ll be honest, I still haven’t fully cracked

the code on balance! In Grade 11, I did

a horrible job. I burned out because

I felt I had to study constantly just

to keep up, especially since English

wasn't my first language. By Grade 12, I

became intentional. I began blocking off

specific hours where I refused to touch

schoolwork. You have to schedule "social

time" just as strictly as you schedule study

time for your mental health.

Being proactive. I’m actually quite an

introvert at times, but I knew that to

make the most of my opportunity, I had

to put myself out there. I started a Global

Concerns (GC) group for an orphanage

back home and launched a Latin dance

social club. I even ran for Secretary of the

Student Council. None of this happened

overnight; Grade 11 was for learning; Grade

12 was when I finally felt confident.

Samikai: What skills from

UWCSEA ended up being the most

useful in university and beyond?

The ability to see situations holistically.

When I’m in a work environment now,

and there's a conflict, I don’t just see the

disagreement; I try to understand the

belief systems and preconceived notions

people are bringing to the table.

Also, the discipline of saying "no". At

UWCSEA, there are 20 things you could

do, but if you do them all, you’ll do them

badly. I learned to choose five things and

do them exceptionally well. Even now, as

a professor, I am invited to write articles

or join congresses constantly. If I didn’t

know how to prioritise and say "no" to

protect my own time, I would drown.

When I moved to the US for university, I

realised I was a beginner all over again. I

had to learn a whole new cultural reality.

My advice? Never assume you’re "done"

learning how to inhabit a new place.

9 OneºNorth May 2026

STAGE

It is always a pleasure to welcome alumni back to Dover Road, but

it is even more special when they return to help shape the next

generation of UWCSEA students. Since graduating in 2014, Elisha

Beston has lived many lives: musical theatre performer, business

owner, and radio DJ. Now, as she completes her International

Postgraduate Certificate in Education (iPGCE) and prepares to

transition into a full-time teaching career, in an interview, Elisha

shares her reflections on her journey from the UWCSEA stage to

the front of the classroom.

Elisha Beston ’14’s full-circle moment with arts education

W O R L D ' S H E R

A L L T H E

It’s been over a decade since you

walked across the graduation stage

at UWCSEA. What has life looked

like for you since 2014?

It’s been a wild ride that all started right

here on Dover Road! Since leaving, I

graduated with a BFA in Musical Theatre

and a minor in Political Science. I spent

time performing across North America

on a National Tour of a Musical before

returning to Singapore to start my own

company, Freddo Children’s Theatre.

UWCSEA shaped me in more ways than

I can describe! From stage managing UN

Night and hiking in Nepal to rehabilitating

sun bears in Thailand during Project Week.

Those experiences were such a gift. These

days, my life is a bit of a juggle; I work as

a radio DJ, actor, and freelance teacher, all

while finishing my iPGCE to become a full-

time international school drama teacher.

You’ve spent the last year back

on campus for your teaching

placement. What was it like

stepping back onto Dover

Campus; not as a student, but as

an educator?

It’s been both familiar and eye-opening.

Some things haven’t changed, like my

go-to lunch! But other things reflect

how much progress the world has made.

Beyond the facilities, I see a much stronger

focus on inclusion and student support.

Technology is also a huge shift. I remember

when the school first announced every

student would get a laptop; it felt like such

a massive deal then, whereas now it’s just a

given. Seeing the diversity in the classroom

again made me realise how much I took

it for granted as a student. Not everyone

gets to grow up with friendships from every

corner of the globe.

Drama That Inspires Belonging

Your company, Freddo Children’s

Theatre, focuses specifically

on young audiences. What

draws you to that specific niche

of performance?

Creating theatre in Singapore allows me

to reflect UWC Values in a local context.

Last year, I produced Beautiful Oops! The

May 2026 OneºNorth 10

Musical, which celebrates risk-taking and

learning from mistakes—a message I think

is vital for kids.

Representation matters deeply to me. I

was so proud to include real child voices

in Singapore’s key languages: Malay,

Tamil, Mandarin, and English. And this also

extends to partnerships we have with local

community organisations, where we break

down economic barriers by dedicating 10%

of all seats as free tickets for families who

wouldn't otherwise have the opportunity to

experience theatre. My goal is to create a

space where young people see themselves

and feel a sense of belonging, much like I

did when I first discovered performance.

How does your work as a

producer overlap with your work

in the classroom?

They both demand the same thing:

creativity, energy, and adaptability.

Whether I’m producing a show for two-

year-olds or training secondary students

in my traineeship, the core purpose is

enriching young people. I love using my

"producer brain" to make the drama

classroom feel entertaining and engaging.

Turning Lessons

Into Future Opportunities

As you look toward the future

of arts education, what are you

hoping to see evolve?

It’s exciting to see the direction

pedagogical research is taking, especially

regarding inclusivity and global

“Seeing the dedication

of the teachers from

"the other side" has set a

very high bar for me. No

shortcuts are taken, and

every student is genuinely

cared for. That’s the

standard I want to uphold

in my own career.”

perspectives. These values are so deeply

embedded in me because of UWCSEA that

I can’t imagine teaching or creating any

other way. I want to continue advocating

for arts spaces where every child feels they

have a voice.

Finally, what is on your horizon for

the rest of 2026?

It’s going to be a big year! I’ll be starting

a teaching role at UWCSEA in the

new school year, a full-circle moment

I’m thrilled about. Reflecting on the

exceptional teachers who guided and

inspired me during my own time here, I

feel incredibly grateful for the opportunity

to now play a similar role in the lives of

today’s students. It is both a privilege and

an honour to contribute to their learning

and creative journeys. On the production

side, I’m remounting Wheels on the Bus

at Gateway Theatre this August. We had

a sold-out run in 2022 and I can’t wait to

share it with even more families.

Elisha will be starting her role as a Teacher of Middle School Drama on Dover Campus this August! We can’t wait for what the

next generation of young artists can learn from her from Dover Road and beyond.

FROM L TO R: ELISHA PERFORMING AS "CLOUD" IN "FEELINGS FARM" AT ESPLANADE THEATRES SINGAPORE 2024; ELISHA PERFORMING IN THE OPERETTA

CANDIDE IN THE US IN 2018; ELISHA PERFORMING IN "WHEELS ON THE BUS" BY BAY AREA CHILDREN'S THEATRE (SAN FRANCISCO) 2019

Working with the Drama Department this

year has been incredible.

11 OneºNorth May 2026

reunions

reunions

Since our last issue, the Alumni Team has

brought our global community together through

a series of gatherings, each one strengthening the

connections that span across years and distance.

T H R O W B A C K T O

Reunion Homecoming

In August and September, we marked our Milestone

Reunions across both Dover and East campuses.

Dover Campus continued its long-standing tradition

of welcoming alumni back, while East Campus

celebrated its 10-year milestone classes with a warm

and intimate reunion for the Class of 2015. Travelling

from various countries and continents, alumni made

their way to Singapore to reconnect with old friends,

revisit shared memories and celebrate the enduring

strength of their collective UWCSEA experience.

Alumni Gatherings Carry On

Beyond campus, our Alumni Gatherings continue

to bring the UWCSEA spirit to cities around the

world, guided by our traditional three-year event

cycle. This year, we reconnected with alumni in

Jakarta, celebrated the festive

season in Singapore, and hosted

gatherings across Delhi and

Mumbai — made especially

meaningful with the support of

alumni hosts Sidharth Agarwal

’09 and Pratik Agarwal ’00.

The journey continued to

Australia, with vibrant evenings

in Melbourne and Sydney, each

one a reminder that wherever

our alumni are, the community

is never far behind.

Singapore, December 2025

Delhi, January 2026

Mumbai,

January 2026

Melbourne, March 2026

Jakarta, September 2025

Sydney,

March

2026

May 2026 OneºNorth 12

Tapping Into the UWC Network

This past year, we kicked off our Alumni

Network event series; a dedicated

UWC networking space led by alumni,

for alumni. Often co-hosted by

different alumni, these gatherings

are designed to spark meaningful

connections and bring together

diverse industries, experiences, and

perspectives in one room. This year,

we saw engaging exchanges across

Toronto, London, the San Francisco

Bay Area, Seoul, Singapore, and Tokyo,

where conversations flowed from career

journeys to shared passions.

Save the Date

Save the Date

for London in October and our year-end festive gathering

on Wednesday, 17 December 2026 at Holland Village!

Toronto, September 2025

London, October 2025

San Francisco,

October 2025

Seoul, January 2026

Singapore, January 2026

“Would definitely encourage others to implement this, because it is

genuinely really easy to carry out, and at the same time there is so

much untapped potential in our UWCSEA network that we can make

use of. When you meet somebody from Singapore, and especially

UWCSEA, you automatically connect and relate with them so much,

and it makes you feel like you are back at home. It is a fantastic

way to meet new people with whom you have a lot in common.”

Vishesh Poddar ’24

13 OneºNorth May 2026

Just ten years after arriving in Canada as an immigrant, Varun Srivatsan found himself standing in the House

of Commons, holding the very first copy of the national budget. Turns out, a healthy dose of empathy, a bit of

economic savvy, and some UWC boldness can carry you from a classroom to a ramen kitchen and eventually

to the heart of Canadian Parliament.

Today, Varun serves as the Director of Policy to Canada’s Minister of Finance, where he helps translate

national values into fiscal reality. On his recent catch-up with the Alumni Team, he gave a sneak peek into

his line of work, discussing how a formative IfP trip to Sri Lanka shaped his approach to modern diplomacy,

why disagreement is a vital tool for a policymaker, and why he believes that if students trade their fear for

curiosity, there’s no limit to where you can pull up a chair.

Can you tell us about your career

journey since graduating from

UWCSEA East in 2014?

I went to the University of British

Columbia (UBC) and really got spoiled

by the Vancouver mountains and oceans

for four years. After that, I moved out

east to Ottawa to work in the Canadian

Parliament. I eventually moved back to

Vancouver for a bit to work in consulting—

and even moonlighted as a ramen chef,

which was really fun!

After another stint in the federal

government, I moved to London, England,

for graduate studies. I returned to Toronto

for a role at a bank, and now I’m back

working in federal politics.

You currently serve as the Director

of Policy to Canada’s Minister

of Finance. What does that role

actually entail?

Essentially, I serve as the Minister’s Chief

Economic and Fiscal Policy Advisor. When

the time comes to make big decisions

about fiscal policy in the government of

Canada—like delivering the budget—it’s

my job to help provide advice and help

the Minister, and ultimately the Prime

Minister, make those decisions.

President Joe Biden once accurately said,

“Don’t tell me what your values are, show

me your budget and I’ll tell you what your

values are.” A budget is a reflection of a

society’s values—whether they prioritise

healthcare, education, or infrastructure.

My role is to help put together the best

advice so our budget reflects those values.

For example, in our recent budget, that

meant helping fund a new medical school

in Toronto and pulling together a $1 billion

Arctic Infrastructure Fund.

“My advice: Be bold.

Be courageous.

Don’t be afraid to break

out of the mould and just

do you. That is the only

form of true success you

can live with.”

Varun Srivatsan ’14 reflects on how

peace-building values shape his work

in national fiscal policy.

PUBLIC SERVICE

THE UWCSEA WAY

May 2026 OneºNorth 14

How did your time at UWCSEA

shape your career path and

personal values?

The two core values UWCSEA inculcated in

me were public service and impact. I drew

the public service aspect from the teachers

every single day. My mom is a teacher, and

I truly believe teaching is an ultimate form

of public service.

The “impact” piece came directly from

UWC’s broader mission. I had the privilege

of joining the Initiative for Peace (IfP),

which was a highly formative experience.

As a young adult, getting to create and

facilitate dialogue about peacebuilding

allowed me to drive an incredible

amount of impact. When I graduated

from university, I actively sought out

opportunities to drive public service and

maximise my impact on as many people

as I could.

Is there a specific lightbulb

moment from your UWCSEA

experience that stands out?

Yes, during my IfP trip to Sri Lanka in

2013, a few years after the civil war

ended. I’m Tamil myself from India, and

I remember one evening there was a

lot of disagreement and dissent among

the Tamil youth in the group who didn’t

feel included.

Our teacher, Skilly, asked if I could speak

to them in Tamil. I spent about an hour

just listening and trying to bring them into

Back to Where It Began

the fold. That was a lightbulb moment

for me—realising that you have the

opportunity to shape people’s perceptions

and experiences simply by engaging and

talking with them.

How do you navigate environments

where not everyone aligns with

your passion for impact?

It’s really important to draw on different

voices and create as inclusive a space

as you can. This is another lesson I took

from UWCSEA: you need to create the

space for people to be able to share and

dissent openly. Disagreeing is a crucial

part of engagement and dialogue, and as

a policymaker, you have an obligation to

make room for that dissent.

How do you think your student

experience prepared you for

your career?

Resilience isn’t just a mindset you read

about; it’s something you live through.

There’s that old saying: Everyone has a

plan until they get punched in the face.

That is the heart of resilience. It’s not just

your ability to withstand; it’s your ability

to bounce back.

At UWCSEA, the sports programme was

really formative for this. I tried three or

four different sports. It’s easy to give up on

the ones you aren’t good at, but choosing

to stay and improve builds that muscle.

I had to use that resilience two years

into my career. I was an economist and

had amazing opportunities lined up

Looking back, what is your

proudest professional

achievement?

I felt really proud when I was the first person

to hold a copy of the country’s budget. I

had arrived in Canada as an immigrant ten

years prior, so getting the privilege to lead a

federal budget was incredibly special. Sitting

next to former Prime Minister and Finance

Minister (Jean Chrétien) while the speech

was delivered in the House of Commons—

those moments pull you back, and you

recognise how lucky you are to participate in

shaping the country.

What advice do you have for

current Grade 9 and 10 students

looking ahead?

I wish I knew back then to not feel so

scared. At UWCSEA, you come in with a

lot of privilege, but that also comes with

immense pressure to succeed in school,

sports, and arts. That pressure creates fear,

which can limit what you feel you are able

to do later.

"Pinch Me" Moment

to work in microfinance in Tajikistan,

India, or Bali. Then COVID happened,

and all of it vanished. I was forced to

pivot. Remembering my UWC Values of

service and impact, I decided to apply

my economic development skills within

Canada instead, ultimately working with

Indigenous First Nations communities. It

was a scary, non-traditional path, but it

allowed me to drive real impact.

15 OneºNorth May 2026

Beyond

HOW ALUMNI SCHOLARS ARE SHAPING IMPACT ACROSS BORDERS

Through the journeys of Andrea Staines OAM ’82 (Australia), Professor Queenie Lai ’97 (Hong Kong), Dr Waruiru Mburu

’09 (Kenya), and Anesu Gamanya ’13 (Zimbabwe), we see how their contributions extend far beyond campus, influencing

communities across the world.

Leadership in the Corporate Sector

For Andrea, her time at UWCSEA was the catalyst in her journey

as the first in her family to attend university. It broadened her

perspective and strengthened her confidence, shaping how she

approached opportunities beyond school.

“UWCSEA lifted my aspirations and gave me confidence in my

abilities. It opened my eyes to challenges affecting countries

outside Australia, cemented a love for looking internationally,

and shifted my outlook toward global finance.”

Andrea went on to build a career in finance, becoming Australia's

first female airline CEO. She was later awarded a Medal of the

Order of Australia for her contributions to business and her

work as a role model and mentor for women. Today, she serves

as an independent Non-Executive Director (NED) supporting

Australian companies through periods of transformation.

Impact Through Legal Education

Queenie has over two decades of experience as a law professor

and lawyer, helping shape the legal landscape of Hong Kong.

She reflects on her time at UWCSEA as part of a broader

foundation that continues to inform her work and approach

to teaching.

“A UWC education is about character building, fostering

understanding and role modelling best behaviours such as

empathy and cross-cultural sensitivity—so that whatever paths

students choose in the future, they become responsible adults,

leaders and changemakers, shaping the future of our society.”

An Associate Professor of Practice in Law and former Associate

Dean at the Chinese University of Hong Kong, Faculty of Law,

Queenie has trained over 2,400 students. Many of her students

are now leaders in the field—serving the city as barristers,

solicitors and officials in the judiciary.

T H E S C H O L A R S H I P

PASSIONATE ABOUT THE TRANSFORMATIVE POWER OF EDUCATION, QUEENIE JOINED

THE LAW FACULTY SINCE ITS FOUNDING IN 2010

ANDREA TRANSITIONED FROM A CORPORATE EXECUTIVE ROLE IN THE AIRLINE INDUSTRY

TO SERVING AS A NON-EXECUTIVE DIRECTOR ACROSS ORGANISATIONS LIKE THE

AUSTRALIAN RAIL TRACK CORPORATION AND UNITINGCARE QUEENSLAND.

May 2026 OneºNorth 16

Contributions to Public Health

Waruiru’s work in public health focuses on addressing disparities

in healthcare access, particularly for women of African descent.

With a strong record of publications and awards in population

health, her work is anchored by a sustained commitment to

equity in healthcare.

She reflects on her time at UWCSEA and early service

experiences and how they shaped her career path.

“Volunteering at a hospital in Singapore, teaching English to

migrant domestic helpers, and volunteering in Vietnam clarified

the kind of career I want to pursue and the impact I intend my

work to have.”

Today, she is an accomplished epidemiologist and Global

Principal Health Economics and Outcomes Specialist at

Medtronic, working to expand access to cardiovascular

therapies worldwide.

Influence on International Trade

In the field of global trade, Anesu, a Senior Advisor for

International and Export Credit Agency Relations, shared that

UWCSEA’s multidisciplinary curriculum strengthened her

critical thinking skills, which she draws on in her work today,

particularly in understanding how political, historical, social, and

economic factors intersect.

“When I work through policy challenges or analyse international

financial and trade transactions, it often has direct implications

for human rights, biodiversity, and climate outcomes.”

She also highlights the lasting influence of a people-centred

approach: “It shapes how I see policies, markets, and financial

systems: not as ends in themselves, but as tools to improve

people’s lives across borders”.

Learn more about how you can

support access to a UWCSEA education

through the Scholarship Programme here.

Your contribution helps create opportunities for scholars to develop

their skills and pursue the paths that matter to them and their communities.

WITH HER HUSBAND, NG’ANG’A WAHU-MUCHIRI '04, A FELLOW UWCSEA SCHOLAR AND

THEIR DAUGHTER—A FAMILY ROOTED IN THE VALUES OF SERVICE AND CONNECTION

ANESU DURING MULTILATERAL NEGOTIATIONS ON INTERNATIONAL TRADE-RELATED

ISSUES AT THE ORGANISATION FOR ECONOMIC COOPERATION AND DEVELOPMENT

(PHOTO CREDIT: OECD). SHE WORKS CLOSELY WITH THE CANADIAN GOVERNMENT ON

INTERNATIONAL TRADE.

17 OneºNorth May 2026

Global supply chains shape how the world eats and the environmental and social impacts behind it. For Nicole,

the journey from UWCSEA to the front lines of supply chain sustainability has been guided by a systems-

thinking approach.

Having completed her Master’s at Duke University, Nicole is showing that the UWC Mission isn’t just an

ideal—it’s a practical toolkit for rethinking how the world produces and consumes food.

When we talk about food sustainability, we’re really talking about an entire system. The global food system is

a major driver of climate change, biodiversity loss and social inequity, yet it also sustains cultures, livelihoods

and economic growth. Sustainability solutions cannot exist in isolation. That’s why my work is grounded in

systems thinking: meaningful change requires looking at the entire value chain, from how ingredients are

produced to how food is processed, distributed and consumed.

The 'Aha' Moment

My first real aha moment regarding food systems didn't happen

in a classroom, but through hands‑on engagement at UWCSEA.

Working with LEAF Global Concerns (GC), I launched "No Drive

Day," where we incentivised green commuting with free fruit. This

sparked a collaboration with a student composting group, giving

me my first look at the full food lifecycle—from consumption to

waste recovery.

We also collaborated with Sodexo to cut down on single‑use

plastics. I quickly learned that the real challenge wasn’t just what

we used, but how people behaved. Reusable plates and cups were

regularly left behind as students rushed off to activities, costing

the school thousands each year.

It was my first lesson that sustainability also requires taking into

account the user experience, thoughtful design, and long‑term

education.

The freedom to initiate these projects and quantify their impact

was empowering. It taught me that you don’t need formal

authority to drive change; you just need to start wherever you are.

FIXING

THE SYSTEM

BEHIND OURFOOD

Nicole Yaw ’14 explores systems thinking to shape

a more sustainable food system.

NICOLE YAW, PICTURED ON THE LEFT, AT "NO DRIVE DAY" ON DOVER CAMPUS IN 2013